a:7:{s:4:”user”;s:4:”none”;s:8:”subtitle”;s:0:””;s:10:”brief_info”;s:1683:”Anetta Mona Chisa & Lucia Tkáčová have been working in collaboration since 2000. At the heart of their collaboration lies their quest to find a means of reconciling the political with the aesthetic validity of art. Their solo presentations include: I look at a sun, i am a catch, a cave ant, Rotwand, Zürich (2016); ah, soul in a coma, act naive, attack, GAK, Bremen (2015); aCtivaTe aMok, not a causaL chAin, waterside contemporary, London (2013); Clash!, Art in General, New York (2013); Either Way, We Lose, SWAC, Brussels (2012); Material Culture / Things in our Hands, Christine Koenig Gallery, Vienna (2011); 54th Venice Biennale – Romanian pavilion (2011); How to Make a Revolution, MLAC, Rome (2010); n.b.k., Berlin (2008). Participation in group shows include: How Long Is Now?, KINDL – Centre for Contemporary Art, Berlin (2016); L’Economie de la tension, Parc Saint Leger (2016); Capitalist Melancholia, HALLE 14, Leipzig (2016); Afterimage. Rappresentazioni del conflitto, Galleria Civica, Trento (2014); Unlooped-KINO, Manifesta 10 (2014); An I for an Eye, Austrian Cultural Forum, New York (2013); Good Girls_Memory, Desire, Power, MNAC, Bucharest (2013); 3rd Moscow Biennale for Young Art (2012); The Global Contemporary, ZKM, Karlsruhe (2011); Eyes Looking for a Head to Inhabit, Muzeum Sztuki Lodz (2011); Rearview Mirror, The Power Plant, Toronto (2010); While Bodies Get Mirrored, Migros Museum, Zürich (2010); Gender Check, MuMoK, Vienna (2009); The Reach of Realism, MoCA, Miami (2009); The Making of Art, Schirn Kunsthalle, Frankfurt (2009); 6th Taipei Biennial (2008); Prague Biennale 3 (2007); Kuba: Journey Against the Current, TBA21, Vienna (2006).”;s:5:”email”;s:0:””;s:5:”phone”;s:0:””;s:7:”address”;s:0:””;s:7:”socials”;a:1:{i:0;a:3:{s:4:”name”;s:0:””;s:5:”title”;s:0:””;s:3:”url”;s:0:””;}}}
