Anton Terziev works with various subjects of the day often with the means of sharp irony. The artist’s iconography possesses harsh and critical imagery associated with a specific aestheticisation of pain that is a common metaphor of governing power relationships in society, violence and hurt in the very political existence of man. A unifying thread in his works appears in the futile attempt of the invention of objects and tools for survival in modern life`s contradictions, and burdens. His interventions in public space as a performer and actionist introduce a provocative and foreign for the local scene format.