Marina Marković (re)questions and (re)works physical and sociocultural pressure trough various media. Personal experience with anorexia places her work in constant relation to maturing and sexuality, states of vulnerability, (in)adequacy and (de)subjectivation. She performs the process of becoming Woman within society through exploration of affects, (corpo)reality and gender (de)construction, consumption, and body economics as societal coercion. Solo exhibitions include: Retrospective, Nesovic Fine Arts, Belgrade, RS, 2017; Edge, Zeta Gallery, Tirana, AL 2015; Pressure Me III, Centre d’Art Contemprain, Geneve, CH, 2013; Pressure Me II, Schlachthaus Theater, CH, 2013; Pressure Me I, G12 HUB, Belgrade, RS, 2013; Asylum, Kunsthalle, Berlin, DE 2013; Asylum, The Cultural Centre of Belgrade, Belgrade, RS, 2013 ; Pressure Me, Rabbit Hole Studio, New York, 2012; Chewing & Spitting, UK Parobrod, Belgrade, RS, 2011; UBSM, Belgrade, RS, 2009 +-; I Don’t Want to Swallow, DOB Gallery, Belgrade, RS, 2009; Holy Liposuction, DKSG, Belgrade, RS, 2008. Her work has been shown in the following group exhibitions and festivals: Supercalifragilisticexpialidocious, White Box, New York, 2017; iScream, U10, Belgrade, RS, 2016; Mangelos Award, MoCAB, Belgrade, RS; COPYPASTE, SPRING/BREAK Art Show, New York , US; Archival Strategies: Performing the Gender, FMK, Belgrade, RS; Objects of Desire, Tokyo, JP 2015 Hospitality, ZMUC , Tirana, AL; Approaches to Happiness, Credo Bonum, Sofia, BG; Bronx Tale, COOP, New York, US; New Collection, New Moment Gallery , Belgrade, RS, 2014; Days of Happiness, Contemporary Gallery, Plovdiv, BG; CompagnieSturmfrei, Geneva, CH; Body Resistance, Jaipur, IN; Time Lines, 6. Bienalle , Pancevo , RS; Informal Mind , Metalurgjiku, Elbasan, AL, 2013; Hybrid Objects, Kunsthalle, Berlin, DE; Prothetic body, Gallery Progres , Belgrade, RS; Ambivalence, L Gallery, Beijing, CN, BONE Festival, Bern, CH; PRISHTINË- mon amour: Ode to repetition, Pallati i Rinisë, Prishtina, KS.