a:7:{s:4:”user”;s:4:”none”;s:8:”subtitle”;s:0:””;s:10:”brief_info”;s:1077:”Irena Sladoje’s art starts from a specific social and psychological position on one side – wherein , through an individual story, she opens up universal metaphors about “the state of human being” (the cycle entitled Pain) – while, on the other side, she turn superficiality of the universal and omnipresence of the trivial into a real human dimension (video Short Stories). Her analyses, from the individual to the society, link disturbing and humorous extremities and explore emotions in a medical manner, by performing surgeries and putting stitches, or they put facts from the black chronicle down to symbols/ dolls typical of a child’s play. Amidst those extremities, she documents her own migration and listens to the heartbeats (video Home) or she transcribes/ writes down a broadcast of a football match by inserting a rural landscape in a snowy night into it (Bosnian Fairytale, a series of photographs). The intention is not to link the extremities but to reflect, in an artistic manner, the selected and reduced opposed ends, thus creating her own signature”;s:5:”email”;s:0:””;s:5:”phone”;s:0:””;s:7:”address”;s:0:””;s:7:”socials”;a:1:{i:0;a:3:{s:4:”name”;s:0:””;s:5:”title”;s:0:””;s:3:”url”;s:0:””;}}}
