Davor Sanvincenti is specifically interested in a field of audiovisual phenomenology and anthropology of visual culture, particularly focused on the conditions and forms of human senses and perceptions. His artistic practice takes shape in the variety of media - film and video, photography, physical light and sound installations and live media performances. His work plays with the concept of illusion, exploring the possible boundaries of perception and the construction of experience. Sanvincenti explores aesthetical and qualitative capabilities of different media as direct communication with the spectator which becomes an inevitable part of the work, the reflecting contemplative-physical structure. In 2010, he was the recipient of the Radoslav Putar Award for the best Croatian artist under 35. His work has been exhibited and presented internationally, including festivals 28th Music Biennale, Zagreb 2015; Rencontres Internationales, Paris/Berlin/Madrid, 2010 and 2011; Device_Art Triennale, Montreal, 2016; LOOP - Barcelona, 2008; World Film Festival, Bangkok, 2010; 25FPS, Zagreb, 2010; VideoEX, Zurich, 2010; CineMed - Montpellier, 2010 and venues including Centre Georges Pompidou, Paris, 2010; HfG/ZKM, Karlsruhe, 2011; UniversalMuseum Joanneum, Graz, 2009; Lincoln Center, New York; Museo de Arte Contemporaneo, Oaxaca, 2013; FRAC Pays de la Loire, Carquefou, 2012; Camera Austria, Graz,2013; La Triennale, Milano, 2005; NIU, Barcelona, 2007; Filmoteca Española, Madrid, 2011; Art Pavilion, Zagreb, 2011; Glassbox, Paris, 2011; Haus der Kulturen der Welt, Berlin, 2011. His work is part of several public collections in Croatia and abroad.