Sašo Sedlaček is interested in technology and current social phenomena. His primary interest seems to be things that people overlook and the ways in which they can be made useful once again. His work is generally defined by theories of disposal and the use and reuse of cheap technologies, open source software and waste materials. His practical and humorous works result from a subversive recycling of scientific, legal, technological facts and by employing DIY (do-it-yourself) and collaborative methods.His work was shown in venues like Dhmd-Deutsches Hygiene-Museum's, Dresden, Germany, 2016; Zepellin Museum, Friedrichshafen, Germany, 2016; Ars Electronica, Linz, Austria, 2014; Transmediale 2014, Haus Der Kulturen Der Welt, Berlin , 2014; Art Fair Bassel, Basel, Switzerland , 2012; Kumu Art Museum, Tallinn, Estonia, 2011; Museum Villa Stuck, München, Germany , 2011; Calvert 22, London, Uk, 2010; Isea 2010 Rzhr, Dortmund, Germany, 2010; Ludwik Museum, Budapest , Hungary, 2010; Secession, Vienna, Austria, 2008; Taipei Fine Art Museum, Taipei, Taiwan, 2008. For his work he received several international and national awards:26th Alexandria Biennial Award, Alexandria, Egypt, 2014; Trend Award, for exceptional achievements in visual culture, Ljubljana, Slovenija, 2012; VIDA 11, Fundación Telefónica, Madrid, Spain, 2008; OHO Award, 2006.